{"id":28600,"date":"2024-07-24T11:48:50","date_gmt":"2024-07-24T09:48:50","guid":{"rendered":"https:\/\/kultur-mitte.de\/events\/"},"modified":"2026-04-13T09:28:03","modified_gmt":"2026-04-13T07:28:03","slug":"termine","status":"publish","type":"page","link":"https:\/\/kultur-mitte.de\/en\/termine\/","title":{"rendered":"Events"},"content":{"rendered":"\n
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Events<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n Galerie Nord |\n Ausstellung\n <\/div>\n <\/div>\n <\/div>\n
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\n 23.7.26<\/span>, 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Vernissage: Counterplay\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Vernissage:\n <\/div>\n <\/div>\n
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\nEr\u00f6ffnung der Einzelausstellung Counterplay von Alicja Rogalska<\/strong>, kuratiert von Jorgina Stamogiani.<\/strong><\/p>\n <\/div>\n

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\n Mitte Museum |\n Talk, Vortrag\n <\/div>\n <\/div>\n <\/div>\n
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\n 24.7.26<\/span>, 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Keynote by Joachim Baur: “Das radikaldemokratische Museum”\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Prof.\n <\/div>\n <\/div>\n
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\nHow can criticism of the museum be effectively channelled within the institution itself? What role do museums play as venues for democratic participation?<\/p>\n <\/div>\n

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\n Mitte Museum |\n Gespr\u00e4ch, Vortrag\n <\/div>\n <\/div>\n <\/div>\n
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\n 24.7.26<\/span>, 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Keynote von Joachim Baur\u00a0\u201eDas radikaldemokratische Museum\u201c\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Prof.\n <\/div>\n <\/div>\n
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\nWie kann Kritik am Museum innerhalb der Institution selbst wirksam werden? Welche Rolle spielen Museen als Orte demokratischer Teilhabe?<\/p>\n <\/div>\n

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\n Galerie Nord |\n Gespr\u00e4ch\n <\/div>\n <\/div>\n <\/div>\n
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\n 25.7.26<\/span>, 15:00h – 16:30h<\/span>\n <\/div>\n <\/div>\n
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\n F\u00fchrung mit der K\u00fcnstlerin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n– English below –<\/em><\/p>\n <\/div>\n

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\n Galerie Nord |\n Gespr\u00e4ch\n <\/div>\n <\/div>\n <\/div>\n
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\n 8.8.26<\/span>, 15:00h – 15:30h<\/span>\n <\/div>\n <\/div>\n
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\n F\u00fchrung mit der Kuratorin\n <\/div>\n <\/div>\n <\/div>\n\n
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\nBei einem Rundgang durch die Ausstellung gibt die Kuratorin Jorgina Stamogianni eine Einleitung in die Ausstellung und zu den Werken.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Ausstellung, Museumsevent, Rundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 18.8.26<\/span>, 18:00h – 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Die\n <\/div>\n <\/div>\n
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\nA street name is rarely neutral. It commemorates, honours, obscures\u2014and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin\u2019s street signs, explaining how renamings come about, and exploring why some names remain unchanged.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Talk, Vortrag\n <\/div>\n <\/div>\n <\/div>\n
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\n 20.8.26<\/span>, 18:00h – 20:00h<\/span>\n <\/div>\n <\/div>\n
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\n Between Propaganda and Remembrance: Reinhold Huhn, Egon Schultz, and the Question of Justice\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Die\n <\/div>\n <\/div>\n
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\nBetween 1948 and 1989, eight East German border guards lost their lives while on duty. In the GDR, they were elevated to the status of heroes, with streets named after them and their deaths portrayed as deliberate acts of murder. Among them were Reinhold Huhn (1942\u20131962) and Egon Schultz (1943\u20131964).<\/p>\n <\/div>\n

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\n Galerie Nord |\n Gespr\u00e4ch\n <\/div>\n <\/div>\n <\/div>\n
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\n 22.8.26<\/span>, 15:00h – 15:30h<\/span>\n <\/div>\n <\/div>\n
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\n F\u00fchrung mit der Kuratorin\n <\/div>\n <\/div>\n <\/div>\n\n
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\nBei einem Rundgang durch die Ausstellung gibt die Kuratorin Jorgina Stamogianni eine Einleitung in die Ausstellung und zu den Werken.<\/p>\n <\/div>\n

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\n Klosterruine |\n F\u00fchrung\n <\/div>\n <\/div>\n <\/div>\n
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\n 27.8.26<\/span>, 17:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Art tour with Alin Daghestani\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Nazanin\n <\/div>\n <\/div>\n
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\nKlosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.<\/p>\n <\/div>\n

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\n Klosterruine |\n Filmscreening\n <\/div>\n <\/div>\n <\/div>\n
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\n 28.8.26<\/span>, 20:00h<\/span>\n <\/div>\n <\/div>\n
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\n Short Film Program: Die Welt sieht zur\u00fcck\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Bild:\n <\/div>\n <\/div>\n
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\nDie Welt sieht zur\u00fcck<\/em>\u00a0describes a shift: it is not only us who are looking \u2014 our gaze is also being returned. Images, witnessing, bodies, and forms of individual and collective expression create modes of perception in which the world responds and answers back. The gaze itself becomes unstable rather than remaining fixed. The program presents short films spanning experimental film, dance film, documentary, and artistic moving-image practices.<\/p>\n <\/div>\n

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\n Klosterruine |\n Artist talk\n <\/div>\n <\/div>\n <\/div>\n
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\n 29.8.26<\/span>, 17:00h<\/span>\n <\/div>\n <\/div>\n
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\n Artist Talk Nazanin Noori, Fabian Sch\u00f6neich\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Nazanin\n <\/div>\n <\/div>\n
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\nThe Berlin Monastery Ruins invite you to an artist talk with Nazanin Noori and Fabian Sch\u00f6neich. In conversation, the artist and curator will offer insights into the site-specific installation BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME<\/em> and discuss the intersections of art, space, history, and societal power structures.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Ausstellung, Exhibition, Opening\n <\/div>\n <\/div>\n <\/div>\n
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\n 9.9.26<\/span>, 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Exhibition opening: Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Foto:\n <\/div>\n <\/div>\n
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\nThe exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918\u20131950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung<\/em> that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.<\/strong><\/p>\n <\/div>\n

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\n Mitte Museum |\n Ausstellung, Museumsevent, Rundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 16.9.26<\/span>, 18:00h – 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Die\n <\/div>\n <\/div>\n
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\nA street name is rarely neutral. It commemorates, honours, obscures\u2014and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin\u2019s street signs, explaining how renamings come about, and exploring why some names remain unchanged.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Klosterruine |\n F\u00fchrung\n <\/div>\n <\/div>\n <\/div>\n
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\n 17.9.26<\/span>, 17:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Art tour with Alin Daghestani\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Nazanin\n <\/div>\n <\/div>\n
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\nKlosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Mitte Museum |\n Stadtrundgang, Tour\n <\/div>\n <\/div>\n <\/div>\n
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\n 20.9.26<\/span>, 13:00h – 15:00h<\/span>\n <\/div>\n <\/div>\n
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\n The Women\u2019s Quarter Around Berlin Central Station \u2013 A Guided Tour with Trille Sch\u00fcnke-Bettinger\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Die\n <\/div>\n <\/div>\n
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\nTo this day, far more streets are named after men than after women. When an entirely new district was planned around Berlin Central Station, a conscious effort was made to change that: many of the newly created streets were named after women.<\/p>\n <\/div>\n

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\n Galerie Nord |\n Ausstellung\n <\/div>\n <\/div>\n <\/div>\n
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\n 2.10.26<\/span>, 18:00h – 21:00h<\/span>\n <\/div>\n <\/div>\n
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\n Preisverleihung & Er\u00f6ffnung\n <\/div>\n <\/div>\n <\/div>\n\n
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\nFreitag, 2. Oktober 2026, 18\u201321 Uhr<\/p>\n <\/div>\n

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\n Galerie Nord |\n Workshop\n <\/div>\n <\/div>\n <\/div>\n
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\n 4.10.26<\/span>, 14:00h – 17:00h<\/span>\n <\/div>\n <\/div>\n
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\n Workshop zum Jugendkunstpreis\n <\/div>\n <\/div>\n <\/div>\n\n
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\n2026: EiN K\u00dcNSTLERiSCHES ECHO<\/strong><\/p>\n <\/div>\n

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Exhibitions<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n 10.9.26 \u2014 21.2.27<\/span>, 10:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Foto:\n <\/div>\n <\/div>\n
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\nThe exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918\u20131950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung<\/em> that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n B\u00e4renzwinger |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 5.6.26 \u2014 21.2.27<\/span> <\/div>\n <\/div>\n
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\n \u00bbFurore\u00ab\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Grafik:\n <\/div>\n <\/div>\n
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\nThe solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the B\u00e4renzwinger: the principle of display and staging\u2014whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 22.5.26 \u2014 27.9.26<\/span> <\/div>\n <\/div>\n
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\n umbennen? Exhibition project on the history of Berlin street names\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"umbennen?\n <\/div>\n <\/div>\n
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\nAs an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the \u201crename?!\u201d exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes. <\/p>\n <\/div>\n

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\n Galerie Wedding |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 22.5.26 \u2014 9.8.26<\/span> <\/div>\n <\/div>\n
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\n \u00bbDie gesiezte Tochter. My Total Deconstruction of an Armenian Family\u00ab\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Beatrice\n <\/div>\n <\/div>\n
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\nAn Exhibition by Beatrice Moumdjian.
Moumdjian\u2019s artistic practice combines autobiographical research with a critical perspective on history and its modes of transmission. Her work reveals how closely personal life stories are intertwined with political and historical processes, and how these entanglements can be examined, shifted, and rearticulated through artistic means.<\/p>\n <\/div>\n

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\n Klosterruine |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 14.5.26 \u2014 25.4.27<\/span> <\/div>\n <\/div>\n
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\n BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"BEHOLD\n <\/div>\n <\/div>\n
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\nis a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices\u2014both aesthetic and performative\u2014were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.<\/p>\n <\/div>\n

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\n Galerie Nord |\n Ausstellung\n <\/div>\n <\/div>\n <\/div>\n
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\n 23.7.26 \u2014 20.9.26<\/span> <\/div>\n <\/div>\n
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\n Counterplay\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Counterplay\"\n\n <\/div>\n <\/div>\n
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\n-English below-<\/em><\/p>\n <\/div>\n

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\n Galerie Nord |\n Ausstellung\n <\/div>\n <\/div>\n <\/div>\n
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\n 3.10.26 \u2014 1.11.26<\/span> <\/div>\n <\/div>\n
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\n Jugendkunstpreis 2026\n <\/div>\n <\/div>\n <\/div>\n\n
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\n03.10. – 01.11.2026<\/p>\n <\/div>\n

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\n 13.11.26 \u2014 17.1.27<\/span> <\/div>\n <\/div>\n
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\n ADEFRA, NEID & Queer Reads Library\n <\/div>\n <\/div>\n <\/div>\n\n
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\nMit Jasmin Eding, Katarina S\u030cevic\u0301 und Ina Wudtke<\/p>\n <\/div>\n

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Newsletter<\/p>\n\n <\/div>\n <\/div>\n

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Im Kultur Mitte Newsletter informieren wir\u00a0regelm\u00e4\u00dfig \u00fcber die kulturellen Highlights, Veranstaltungen, Ausschreibungen und F\u00f6rderungsm\u00f6glichkeiten in Berlin Mitte.\u00a0<\/span><\/p>\n\n <\/div>\n <\/div>\n\n

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Tragen Sie hier ihre E-Mail Adresse ein:<\/p>\n<\/div>\n

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