{"id":28600,"date":"2024-07-24T11:48:50","date_gmt":"2024-07-24T09:48:50","guid":{"rendered":"https:\/\/kultur-mitte.de\/events\/"},"modified":"2026-04-13T09:28:03","modified_gmt":"2026-04-13T07:28:03","slug":"termine","status":"publish","type":"page","link":"https:\/\/kultur-mitte.de\/en\/termine\/","title":{"rendered":"Events"},"content":{"rendered":"\n
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Events<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n 18.4.26<\/span>, 15:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Workshop: \u201eA Nourishing Practice\u201c (Eine wohltuende Praxis)\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Workshop:\n <\/div>\n <\/div>\n
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\nmit Jeanne Schmidt. Anmeldung unter: feedingfoot@posteo.de<\/a><\/p>\n <\/div>\n

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\n 19.4.26<\/span>, 14:00h – 17:00h<\/span>\n <\/div>\n <\/div>\n
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\n Workshop: \u201eA Nourishing Practice\u201c (Eine wohltuende Praxis)\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Workshop:\n <\/div>\n <\/div>\n
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\nmit Jeanne Schmitdt. Anmeldung unter: feedingfoot@posteo.de<\/a><\/p>\n <\/div>\n

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\n Klosterruine |\n Finissage\n <\/div>\n <\/div>\n <\/div>\n
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\n 23.4.26<\/span>, 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Finissage \u2013 RUINEigentum\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"RUINEigentum\n <\/div>\n <\/div>\n
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\nFinissage of “Unfinished Histories, Volume X: RUINEigentum” at Klosterruine Berlin<\/p>\n <\/div>\n

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\n Klosterruine |\n Finissage\n <\/div>\n <\/div>\n <\/div>\n
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\n 25.4.26<\/span>, 16:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Finissage \u2013 Monument of Oblivion: River of Lethe\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Neda\n <\/div>\n <\/div>\n
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\nFinissage of the exhibition “Monument of Oblivion: River of Lethe” by Neda Saeedi<\/p>\n <\/div>\n

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\n 25.4.26<\/span>, 18:00h – 21:00h<\/span>\n <\/div>\n <\/div>\n
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\n Performance mit Livemusik\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Performance\n <\/div>\n <\/div>\n
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\n von Tin Wang, Yu Lu (NURFUERESSEN), Hang Su (LAB OF ASIAN DIASPORA)<\/p>\n <\/div>\n

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\n Galerie Wedding |\n Performance\n <\/div>\n <\/div>\n <\/div>\n
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\n 30.4.26<\/span>, 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n “Puzzleteile” Performance by Camila Paz Araya Fabio\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"“Puzzleteile”\n <\/div>\n <\/div>\n
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\nIn a choreography developed specifically for this exhibition, performer Camila Paz Araya Fabio engages in a dialogue with the biographically charged sculptures of artist Ahu Dural.<\/p>\n <\/div>\n

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\n Klosterruine |\n Workshop\n <\/div>\n <\/div>\n <\/div>\n
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\n 3.5.26<\/span>, 14:00h – 16:00h<\/span>\n <\/div>\n <\/div>\n
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\n Sunday Art Makers: “Klangspuren” with Dina Boswank\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"\u00a9\n <\/div>\n <\/div>\n
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\nWalls, niches, fences\u2014they all make sounds if you listen closely. In this workshop, we\u2019ll listen to the spaces and their surroundings, capturing rustles, echoes, claps, and whispers. The sounds we discover will be sketched, shared, amplified, and imitated. This creates a collective sound play that connects architecture, the body, and the imagination. Using simple means, homemade instruments, and voices, we transform walls into resonating bodies, explore rhythms, and reveal hidden sounds\u2014an auditory exploration of space and time within the monastery ruins.<\/p>\n <\/div>\n

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\n Klosterruine Berlin |\n Stadtrundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 17.5.26<\/span>, 14:30h – 16:00h<\/span>\n <\/div>\n <\/div>\n
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\n Sunday Art Makers Family Tours: Rundgang durch das mittelalterliche Berlin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Grundriss\n <\/div>\n <\/div>\n
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\nUnter dem neuen Namen Sunday Art Makers (SAM) Family Tours startet eine neue Vermittlungsreihe in den kommunalen Galerien Mitte. Entdeckt jeden dritten Sonntag im Monat gemeinsam mit eurer Familie die Geschichte des mittelalterlichen Berlins auf spielerische Weise. Die Arch\u00e4ologin Claudia M. Melisch nimmt mit auf eine Zeitreise in den alten Stadtkern.<\/p>\n <\/div>\n

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\n Klosterruine Berlin |\n Stadtrundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 21.6.26<\/span>, 14:30h – 16:00h<\/span>\n <\/div>\n <\/div>\n
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\n Sunday Art Makers Family Tours: Rundgang durch das mittelalterliche Berlin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Grundriss\n <\/div>\n <\/div>\n
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\nUnter dem neuen Namen Sunday Art Makers (SAM) Family Tours startet eine neue Vermittlungsreihe in den kommunalen Galerien Mitte. Entdeckt jeden dritten Sonntag im Monat gemeinsam mit eurer Familie die Geschichte des mittelalterlichen Berlins auf spielerische Weise. Die Arch\u00e4ologin Claudia M. Melisch nimmt mit auf eine Zeitreise in den alten Stadtkern.<\/p>\n <\/div>\n

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Exhibitions<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n Moabit \/ Wedding |\n Festival\n <\/div>\n <\/div>\n <\/div>\n
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\n 8.5.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n mowe Festival for Art and Urban Culture\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Design:\n <\/div>\n <\/div>\n
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\nmowe<\/em> is a new art and urban culture festival, which transform (North-)Moabit and Wedding into a stage. From 8-10 May the festival opens studios and project spaces, bringing art to the streets, to convenience stores, to snack bars, and to unknown locations. With performative walks, productions in urban space, and participatory actions, mowe <\/em> connects neighbourhoods, local artists, institutions and initiatives.<\/p>\n <\/div>\n

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\n Studio | Galerie Nord |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 14.3.26 \u2014 26.4.26<\/span> <\/div>\n <\/div>\n
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\n A Paradise on Earth \u2013 To My Dearest Foot Skin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"\u00a9\n <\/div>\n <\/div>\n
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\nThe performative-installation exhibition with artistic contributions by NURFUERESSEN (Tin Wang, Lu Yu) and Hang Su conceives the foot as a culturally charged interface between body, space, and perception. Its starting point is the foot\u2019s ambivalent symbolism: in the Christian-influenced European tradition, it is regarded as the \u201clowest\u201d part of the body, associated with dust, labor, and humility. In Buddhist contexts, it signifies the spiritual path; in Chinese medicine, it forms an energetic center connecting humans and the earth. Between devaluation, respect, and care, a field of tension emerges,which the exhibition explores artistically.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 28.3.26 \u2014 28.6.26<\/span> <\/div>\n <\/div>\n
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\n QUEER ART IN THE GDR?\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"\"Ohne\n <\/div>\n <\/div>\n
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\nThe exhibition and extensive accompanying events programme shed light on artists\u2019 positions in East Germany and encourage a new reading of art from the GDR. The exhibition draws on the checkered life stories of nine artists and their works, ranging from painting, sculpture, and ceramics to photography. On that basis it shows how differently the nine addressed the political and social conditions of their day. To what extent did sexual orientation influence their artistic practice and their careers?<\/p>\n <\/div>\n

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\n Galerie Wedding |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 27.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Malplaquetstra\u00dfe 33 \u2013 Jugend einer Monteurin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Two\n <\/div>\n <\/div>\n
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\nIn spring 2026, Galerie Wedding will present Malplaquetstra\u00dfe 33 \u2013 Jugend einer Monteurin (Malplaquetstra\u00dfe 33 \u2013 Youth of a Female Assembly Worker), a solo exhibition by Ahu Dural. Taking an apartment as a starting point, the exhibition explores family history, migration, work, female solidarity and appropriation artistically.<\/p>\n <\/div>\n

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\n B\u00e4renzwinger |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 19.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Weirder, Taller, Uglier, Louder \u2013 Feral Possible, around Karl-Marx-Stra\u00dfe and Carrer Cobalt\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Weirder,\n <\/div>\n <\/div>\n
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\nThe exhibition is the second part of “Louder, Taller, Uglier, Weirder \u2013 Learning from Weeds \/ Von Unkraut lernen”, a curatorial project consisting of four exhibitions and a series of events we call sprouts, which appear as we grow and move forward.<\/p>\n <\/div>\n

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\n Kunst Raum Mitte |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 7.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n DISSOLUTIONS Sequence I\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"DISSOLUTIONS\n <\/div>\n <\/div>\n
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\nDuo exhibition by Catherina Cramer <\/strong>and Johannes B\u00fcttner, whose expansive worlds move between the real abysmal nature of neoliberal exploitation\u2014which is currently particularly noticeable due to cultural policy austerity measures\u2014and the imaginations of possible counterworlds.<\/p>\n <\/div>\n

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\n Klosterruine Berlin & nGbK |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 28.11.25 \u2014 26.4.26<\/span> <\/div>\n <\/div>\n
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\n Unfinished Histories Vol. X: RUINeigentum\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"RUINEigentum,\n <\/div>\n <\/div>\n
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\nDuring the winter months of 2025\/26, the monastery ruins, in cooperation with the nGbK, will present the text-based event and exhibition format RUINEigentum (RUINProperty) by acid coll\u00e8ge Berlin. On 18 November 2025, 15 January 2026 and 19 February 2026, open workshops with invited guests will take place at 6 p.m. each day, dealing with questions of ownership and possession. The textual results of these events will then be processed at random and made visible to the public outside on the displays of the monastery ruins.<\/p>\n <\/div>\n

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\n Klosterruine |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 7.6.25 \u2014 26.4.26<\/span> <\/div>\n <\/div>\n
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\n Monument of Oblivion: River of Lethe\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Neda\n <\/div>\n <\/div>\n
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\nFor the 2025\/26 programme year, artist Neda Saeedi has been selected by a jury to create a site-specific work. Neda Saeedi\u2019s sound installation, created specifically for the Klosterruine, explores how historical sites are remembered. \u201cWho is remembered, who is excluded, and how do we deal with violent histories or missing monuments? Are we dealing with the past in a way that allows us to shape the future?<\/p>\n <\/div>\n

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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 18.7.25 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Flucht ins Innere: The Artist Paul Gurk during the Nazi dictatorship\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Gestaltung:\n <\/div>\n <\/div>\n
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\nMitte Museum keeps documents and books from the estate of Paul Gurk (1880-1953) and his life partner Erna Schallok (1886-1943) as well as artworks by the artist. The exhibition presents a selection of the material and provides authentic insight into the artist’s life.<\/p>\n <\/div>\n

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\n Klosterruine |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 7.6.25 \u2014 26.4.26<\/span> <\/div>\n <\/div>\n
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\n Monument of Oblivion: River of Lethe\n <\/div>\n <\/div>\n <\/div>\n\n
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For the 2025\/26 programme year, artist Neda Saeedi has been selected by a jury to create a site-specific work. Neda Saeedi\u2019s sound installation, created specifically for the Klosterruine, explores how historical sites are remembered. \u201cWho is remembered, who is excluded, and how do we deal with violent histories or missing monuments? Are we dealing with the past in a way that allows us to shape the future?<\/p>\n <\/div>\n

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\n 14.3.26 \u2014 26.4.26<\/span> <\/div>\n <\/div>\n
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\n Himmel auf Erden \u2013 An meine liebste Fu\u00dfhaut \u2661\u2661\u5929\u4e0a\u4eba\u9593\u2661\u2661\u5341\u91cc\u8173\u76ae\u2661\u2661\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Himmel\n <\/div>\n <\/div>\n
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\nDer Fu\u00df, als f\u00fcr das \u00dcberleben des fr\u00fchen Menschen entscheidendes Organ, hat im Laufe der Kulturgeschichte vielf\u00e4ltige symbolische Bedeutungen angenommen. Die Ausstellung untersucht k\u00fcnstlerisch das Spannungsfeld, in dem sich diese Bedeutungszuschreibungen bewegen. In der traditionellen chinesischen Vorstellung flie\u00dft das Qi \u00fcber Meridiane durch den K\u00f6rper, insbesondere die Fu\u00dfsohlen gelten als sensible energetische Zonen. Der Fu\u00df verbindet den Menschen mit der Erde, spiegelt innere Zust\u00e4nde wie Ersch\u00f6pfung oder Unruhe wider und kann durch Ber\u00fchrung oder Massage regulierend auf k\u00f6rperliche wie seelische Prozesse einwirken. Entsprechend ist Fu\u00dfpflege in China sowie in vielen ost- und s\u00fcdostasiatischen L\u00e4ndern bis heute eine selbstverst\u00e4ndliche soziale Praxis.<\/p>\n <\/div>\n

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Newsletter<\/p>\n\n <\/div>\n <\/div>\n

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Im Kultur Mitte Newsletter informieren wir\u00a0regelm\u00e4\u00dfig \u00fcber die kulturellen Highlights, Veranstaltungen, Ausschreibungen und F\u00f6rderungsm\u00f6glichkeiten in Berlin Mitte.\u00a0<\/span><\/p>\n\n <\/div>\n <\/div>\n\n

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Tragen Sie hier ihre E-Mail Adresse ein:<\/p>\n<\/div>\n

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