{"id":28600,"date":"2024-07-24T11:48:50","date_gmt":"2024-07-24T09:48:50","guid":{"rendered":"https:\/\/kultur-mitte.de\/events\/"},"modified":"2026-04-13T09:28:03","modified_gmt":"2026-04-13T07:28:03","slug":"termine","status":"publish","type":"page","link":"https:\/\/kultur-mitte.de\/en\/termine\/","title":{"rendered":"Events"},"content":{"rendered":"\n
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Events<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n Klosterruine |\n Opening\n <\/div>\n <\/div>\n <\/div>\n
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\n 13.5.26<\/span>, 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Opening: BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Opening:\n <\/div>\n <\/div>\n
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For the 2026\/27 programme year, artist Nazanin Noori was selected by an independent expert jury. In her site-specific work, she engages with the monastery ruins as a former sacred space, tracing the layers of transformation embedded within them.<\/p>\n <\/div>\n

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\n Klosterruine Berlin |\n Stadtrundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 17.5.26<\/span>, 14:30h – 16:00h<\/span>\n <\/div>\n <\/div>\n
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\n Sunday Art Makers Family Tours: Rundgang durch das mittelalterliche Berlin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Grundriss\n <\/div>\n <\/div>\n
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\nUnter dem neuen Namen Sunday Art Makers (SAM) Family Tours startet eine neue Vermittlungsreihe in den kommunalen Galerien Mitte. Entdeckt jeden dritten Sonntag im Monat gemeinsam mit eurer Familie die Geschichte des mittelalterlichen Berlins auf spielerische Weise. Die Arch\u00e4ologin Claudia M. Melisch nimmt mit auf eine Zeitreise in den alten Stadtkern.<\/p>\n <\/div>\n

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\n Klosterruine Berlin |\n F\u00fchrung\n <\/div>\n <\/div>\n <\/div>\n
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\n 21.5.26<\/span>, 17:00h – 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Kunstf\u00fchrung mit Nazainin Noori und Alin Daghestani\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Klosterruine\n <\/div>\n <\/div>\n
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\nJeden dritten Donnerstag im Monat, von Mai bis September, f\u00fchrt Alin Daghestani, Programmkoordinatorin und kuratorische Assistenz der Klosterruine, durch das Baudenkmal, stellt die neue ortsspezifische k\u00fcnstlerische Arbeit vor und l\u00e4dt zum anschlie\u00dfenden Gespr\u00e4ch ein.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Opening\n <\/div>\n <\/div>\n <\/div>\n
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\n 21.5.26<\/span>, 18:00h<\/span>\n <\/div>\n <\/div>\n
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\n Opening \u00bbumbennen?!\u00ab\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Opening\n <\/div>\n <\/div>\n
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\nAs an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the \u201crename?!\u201d exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes. <\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Galerie Wedding |\n Opening\n <\/div>\n <\/div>\n <\/div>\n
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\n 21.5.26<\/span>, 19:00h<\/span>\n <\/div>\n <\/div>\n
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\n Opening \u00bbDie gesiezte Tochter. My Total Deconstruction of an Armenian Family\u00ab\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Opening\n <\/div>\n <\/div>\n
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\nAn Exhibition by Beatrice Moumdjian. Moumdjian\u2019s artistic practice combines autobiographical research with a critical perspective on history and its modes of transmission. Her work reveals how closely personal life stories are intertwined with political and historical processes, and how these entanglements can be examined, shifted, and rearticulated through artistic means.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Klosterruine Berlin |\n Stadtrundgang\n <\/div>\n <\/div>\n <\/div>\n
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\n 21.6.26<\/span>, 14:30h – 16:00h<\/span>\n <\/div>\n <\/div>\n
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\n Sunday Art Makers Family Tours: Rundgang durch das mittelalterliche Berlin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Grundriss\n <\/div>\n <\/div>\n
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\nUnter dem neuen Namen Sunday Art Makers (SAM) Family Tours startet eine neue Vermittlungsreihe in den kommunalen Galerien Mitte. Entdeckt jeden dritten Sonntag im Monat gemeinsam mit eurer Familie die Geschichte des mittelalterlichen Berlins auf spielerische Weise. Die Arch\u00e4ologin Claudia M. Melisch nimmt mit auf eine Zeitreise in den alten Stadtkern.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n \n \n <\/div>\n\n\n\n
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Exhibitions<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 22.5.26 \u2014 27.9.26<\/span> <\/div>\n <\/div>\n
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\n umbennen? Exhibition project on the history of Berlin street names\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"umbennen?\n <\/div>\n <\/div>\n
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\nAs an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the \u201crename?!\u201d exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes. <\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Galerie Wedding |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 22.5.26 \u2014 9.8.26<\/span> <\/div>\n <\/div>\n
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\n \u00bbDie gesiezte Tochter. My Total Deconstruction of an Armenian Family\u00ab\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"\u00bbDie\n <\/div>\n <\/div>\n
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\nAn Exhibition by Beatrice Moumdjian.
Moumdjian\u2019s artistic practice combines autobiographical research with a critical perspective on history and its modes of transmission. Her work reveals how closely personal life stories are intertwined with political and historical processes, and how these entanglements can be examined, shifted, and rearticulated through artistic means.<\/p>\n <\/div>\n

\n \n Show Event\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n Klosterruine |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 14.5.26 \u2014 25.4.27<\/span> <\/div>\n <\/div>\n
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\n BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"BEHOLD\n <\/div>\n <\/div>\n
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\nis a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices\u2014both aesthetic and performative\u2014were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.<\/p>\n <\/div>\n

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\n Moabit \/ Wedding |\n Festival\n <\/div>\n <\/div>\n <\/div>\n
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\n 8.5.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n mowe Festival for Art and Urban Culture\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Design:\n <\/div>\n <\/div>\n
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\nmowe<\/em> is a new art and urban culture festival, which transform (North-)Moabit and Wedding into a stage. From 8-10 May the festival opens studios and project spaces, bringing art to the streets, to convenience stores, to snack bars, and to unknown locations. With performative walks, productions in urban space, and participatory actions, mowe <\/em> connects neighbourhoods, local artists, institutions and initiatives.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 28.3.26 \u2014 28.6.26<\/span> <\/div>\n <\/div>\n
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\n QUEER ART IN THE GDR?\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"\"Ohne\n <\/div>\n <\/div>\n
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\nThe exhibition and extensive accompanying events programme shed light on artists\u2019 positions in East Germany and encourage a new reading of art from the GDR. The exhibition draws on the checkered life stories of nine artists and their works, ranging from painting, sculpture, and ceramics to photography. On that basis it shows how differently the nine addressed the political and social conditions of their day. To what extent did sexual orientation influence their artistic practice and their careers?<\/p>\n <\/div>\n

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\n Galerie Wedding |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 27.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Malplaquetstra\u00dfe 33 \u2013 Jugend einer Monteurin\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Two\n <\/div>\n <\/div>\n
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\nIn spring 2026, Galerie Wedding will present Malplaquetstra\u00dfe 33 \u2013 Jugend einer Monteurin (Malplaquetstra\u00dfe 33 \u2013 Youth of a Female Assembly Worker), a solo exhibition by Ahu Dural. Taking an apartment as a starting point, the exhibition explores family history, migration, work, female solidarity and appropriation artistically.<\/p>\n <\/div>\n

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\n B\u00e4renzwinger |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 19.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Weirder, Taller, Uglier, Louder \u2013 Feral Possible, around Karl-Marx-Stra\u00dfe and Carrer Cobalt\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Weirder,\n <\/div>\n <\/div>\n
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\nThe exhibition is the second part of “Louder, Taller, Uglier, Weirder \u2013 Learning from Weeds \/ Von Unkraut lernen”, a curatorial project consisting of four exhibitions and a series of events we call sprouts, which appear as we grow and move forward.<\/p>\n <\/div>\n

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\n Kunst Raum Mitte |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 7.2.26 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n DISSOLUTIONS Sequence I\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"DISSOLUTIONS\n <\/div>\n <\/div>\n
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\nDuo exhibition by Catherina Cramer <\/strong>and Johannes B\u00fcttner, whose expansive worlds move between the real abysmal nature of neoliberal exploitation\u2014which is currently particularly noticeable due to cultural policy austerity measures\u2014and the imaginations of possible counterworlds.<\/p>\n <\/div>\n

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\n Mitte Museum |\n Exhibition\n <\/div>\n <\/div>\n <\/div>\n
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\n 18.7.25 \u2014 10.5.26<\/span> <\/div>\n <\/div>\n
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\n Flucht ins Innere: The Artist Paul Gurk during the Nazi dictatorship\n <\/div>\n <\/div>\n <\/div>\n\n
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\n \"Gestaltung:\n <\/div>\n <\/div>\n
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\nMitte Museum keeps documents and books from the estate of Paul Gurk (1880-1953) and his life partner Erna Schallok (1886-1943) as well as artworks by the artist. The exhibition presents a selection of the material and provides authentic insight into the artist’s life.<\/p>\n <\/div>\n

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Newsletter<\/p>\n\n <\/div>\n <\/div>\n

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Im Kultur Mitte Newsletter informieren wir\u00a0regelm\u00e4\u00dfig \u00fcber die kulturellen Highlights, Veranstaltungen, Ausschreibungen und F\u00f6rderungsm\u00f6glichkeiten in Berlin Mitte.\u00a0<\/span><\/p>\n\n <\/div>\n <\/div>\n\n

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Tragen Sie hier ihre E-Mail Adresse ein:<\/p>\n<\/div>\n

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