Los Angeles based artist Diane Meyer (*1976) has been taking photos of places along the former Berlin Wall since 2012. Meyer went to places from the city centre to the very limits of Berlin. Today there are few traces left of the Wall within the city.

The third edition of KISR – Kunst im Stadtraum takes place at Leipziger Straße (2023 – 2025) and focusses on another part of Berlin-Mitte that is grounded in an utopian city planning concept. Three temporary art works are created from spring 2024: Gertraudenhain by artist Christof Zwiener from March 2024, Diadéo trésor by artist Kandis Friesen from September 2024 and the artist group’s msk7 work rüber machen in March 2025. Poligonal accompanies KISR Leipziger Straße with a program that negotiates questions of architecture, urban development and art in public spaces.

The exhibition shows the various historical stations of the Berlin Wall in form of a phographical narrative. Since the fall of the Berlin Wall it has changed from a place of a pain to a place of awe and remembrance.

The exhibition “Onajite, l’Attesa” at Galerie Wedding presents a retrospective of Nigerian-Italian, Berlin-Wedding based artist Diana Ejaita.

Galerie Nord shows the first institutional solo exhibition by Veronika Radulovic in Berlin. “Can you help me?” highlights the artist’s diverse artistic practice and presents a selection of her works which were created and exhibited in Hanoi but have rarely been shown in Berlin to date. The central laquer work “Roter Fluss” is a reminiscence of Vietnamese landscape painting and societal change in Vietnam.

The exhibition is dedicated to the topic of taboos, which are rooted in cultural and historical concepts and shape our perception and identity. The aim is to make exisiting taboos visibile and to create a dialogue space for reflection and change of perspective.

Kunst Raum Mitte reopens with “Transforming”. As a part of the program DIFFRACTIONS the exhibition is accompanied by talks, performances and walks that underline the communal exhibition space’s architectural, social and historic dimensions. “Transforming” shows contemporary positions and combines them with artistic and curatorial research processes.

For her exhibition anything, anything, Kate Newby has developed a new site-sensitive work that addresses the Klosterruine Berlin as a place of continuous change. The intervention consists of more than nine hundred bricks, which Newby worked on before the firing process, integrated into the floor of the monastery ruin in the form of two lines.