News - Kultur Mitte

The word hope with yellow circle — Design: Form und Konzept

Menschen sitzen an Tischen vor einem bunten Wandbehang und basteln — Workshop mit Frauen Machen Druck in der Galerie Wedding. Foto: Laura Fiorio

Twisted tubes in a church ruin, at the centre stands a woman in sun glasses — Neda Saeedi with her work “Monuments of Oblivion: Rivers of Lethe” at Klosterruine Berlin. Credit: Piotr Pietrus

Dark room with two screens showing a video of a naked person — Opening of DISLOCATIONS-in sight at Kunst Raum Mitte. Credit: Juan Saez

Street in evening light with billboard that says — Opening “rübermachen” by msk7. KISR Leipziger Straße. Credit: Laura Fiorio

Blue object on the floor of a bear cage — Theresa Weber, Woven Spirits, 2025. “This, too, is a way of keeping each other close” at Bärenzwinger. Credit: Cleo Wächter

People on a lawn between two shipping containers — Opening of the exhibition”Der Krieg und ich” at Mitte Museum. Credit: Piotr Pietrus

Four children in front of canvasses paiinting — Painting at Atelier Farbklang. Credit: Ulrike Stiehring

Menschen fotografieren eine Person in einem durchsichtigen Plastikball in einem bunt geschmückten Raum — Himmel auf Erden

Exhibitions

10.9.26 — 21.2.27, 10:00h – 18:00h

Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff

Foto: Camille Compere

The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.

Bärenzwinger | Exhibition

5.6.26 — 21.2.27

»Furore«

Grafik: Nora Keilig

The solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the Bärenzwinger: the principle of display and staging—whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.

Mitte Museum | Exhibition

22.5.26 — 27.9.26

umbennen? Exhibition project on the history of Berlin street names

umbennen? Exhibition project on the history of Berlin street names

As an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the “rename?!” exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes.

Galerie Wedding | Exhibition

22.5.26 — 9.8.26

»Die gesiezte Tochter. My Total Deconstruction of an Armenian Family«

Beatrice Moumdjian

An Exhibition by Beatrice Moumdjian.
Moumdjian’s artistic practice combines autobiographical research with a critical perspective on history and its modes of transmission. Her work reveals how closely personal life stories are intertwined with political and historical processes, and how these entanglements can be examined, shifted, and rearticulated through artistic means.

Klosterruine | Exhibition

14.5.26 — 25.4.27

BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME

BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME

is a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices—both aesthetic and performative—were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.

Exhibitions

Galerie Wedding | Talk

7.7.26, 19:00h

Panel: »Archive des Überlebens. Kunst, Zeug*innenschaft und Erinnerungsarbeit nach Aghet«

Credits: Wataru Murakami

Starting from the Armenian Genocide in the Ottoman Empire, experts from the fields of art, activism, and academia discuss approaches to a transnational and solidaristic culture of remembrance.

Mit Jeanette Ehrmann, Elke Shoghig Hartmann, Beatrice Moumdjian, Eren Yetkin.
Moderation: Gabriela Seith

10.9.26 — 21.2.27, 10:00h – 18:00h

Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff

Foto: Camille Compere

The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.

Mitte Museum | Ausstellung, Exhibition, Opening

9.9.26, 18:00h

Exhibition opening: Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff

Foto: Camille Compere

The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.

Mitte Museum | Stadtrundgang, Tour

20.9.26, 13:00h – 15:00h

The Women’s Quarter Around Berlin Central Station – A Guided Tour with Trille Schünke-Bettinger

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

To this day, far more streets are named after men than after women. When an entirely new district was planned around Berlin Central Station, a conscious effort was made to change that: many of the newly created streets were named after women.

Mitte Museum | Talk, Vortrag

20.8.26, 18:00h – 20:00h

Between Propaganda and Remembrance: Reinhold Huhn, Egon Schultz, and the Question of Justice

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

Between 1948 and 1989, eight East German border guards lost their lives while on duty. In the GDR, they were elevated to the status of heroes, with streets named after them and their deaths portrayed as deliberate acts of murder. Among them were Reinhold Huhn (1942–1962) and Egon Schultz (1943–1964).

Mitte Museum | Stadtrundgang, Walking tour

17.7.26, 18:00h – 20:00h

Guided Tour as Part of the Exhibition “umbenennen?!” – Around Berlin Central Station

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

When Berlin built its new Central Station, an entirely new district emerged around it—planned from scratch, including a network of newly named streets. But who decided which names would become part of Europacity?

Mitte Museum | Stadtrundgang, Walking tour

3.7.26, 18:00h – 20:00h

Rebellious Women on Foot: A Literary Walk through Berlin-Mitte with Anneke Lubkowitz

Credits: Kein & Aber.

A Literary Walk through Berlin-Mitte with Anneke Lubkowitz

Mitte Museum | Ausstellung, Museumsevent, Rundgang

16.9.26, 18:00h – 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Mitte Museum | Ausstellung, Museumsevent, Rundgang

18.8.26, 18:00h – 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Mitte Museum | Ausstellung, Museumsevent, Rundgang

16.7.26, 18:00h – 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Galerie Wedding | Artist talk, Ausstellung, Rundgang

7.7.26, 17:00h

Exhibition »Die gesiezte Tochter. My Total Deconstruction of an Armenian Family« – Dialogic Tour with Beatrice Moumdjian & Eylem Sengezer

Beatrice Moumdjian

Guided Tour of the Exhibition The Daughter Who Was Addressed Formally. My Total Deconstruction of an Armenian Family with artist Beatrice Moumdjian and Eylem Sengezer (Head Curator / Head of Contemporary Art).

Galerie Wedding | Vermittlung

5.7.26

SUNDAY ART MAKERS (SAM)

Credits: Erhan Muratoglu

Your New Creative Sunday in Berlin-Mitte’s Municipal Galleries

Galerie Wedding | Booklaunch

16.7.26, 17:00h

Booklaunch – »IN NOBODY’S SERVICE«

Das Cover eines Buches mit pink-rotem Farbverlauf. Der Titel „In Nobody’s Service“ steht in großer weißer Schrift auf der Vorderseite. Darunter sind weitere Titelangaben in verschiedenen Sprachen sowie die Namen der Herausgeber*innen aufgeführt. Im Hintergrund ist eine stilisierte grafische Form zu sehen.

A multidisciplinary approach to history writing, labor, love, and care in contemporary artistic practice. Featuring a performance by Sisu Satrawaha & Natthapong Samakkaew.

Klosterruine | Artist talk

29.8.26, 17:00h

Artist Talk Nazanin Noori, Fabian Schöneich

Nazanin Noori, Opening, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Photo: Piotr Pietrus

The Berlin Monastery Ruins invite you to an artist talk with Nazanin Noori and Fabian Schöneich. In conversation, the artist and curator will offer insights into the site-specific installation BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME and discuss the intersections of art, space, history, and societal power structures.

Klosterruine | Filmscreening

28.8.26, 20:00h

Short Film Program: Die Welt sieht zurück

Bild: Standbild aus Memories of a Window – Mehraneh Salimian & Amin Pakparvar, 2026

Die Welt sieht zurück describes a shift: it is not only us who are looking — our gaze is also being returned. Images, witnessing, bodies, and forms of individual and collective expression create modes of perception in which the world responds and answers back. The gaze itself becomes unstable rather than remaining fixed. The program presents short films spanning experimental film, dance film, documentary, and artistic moving-image practices.

Klosterruine | Booklaunch, Reading, Talk

3.7.26, 19:00h

Berlin Review: Launch Reader 7

Klosterruine Berlin. Credit: Robert Hamacher

Together with editors, authors, and friends, we celebrate the launch of the Berlin Review Reader #7 at Klosterruine Berlin on July 3 — featuring readings and conversations in German and English, drinks, music, and mingling. Admission is free and everyone is welcome. Freshly printed copies of the Reader, including new texts and an image series featuring paintings by Pol Taburet, will be available on site. A detailed program will follow soon.

Klosterruine | Führung

17.9.26, 17:00h – 18:00h

Art tour with Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Klosterruine | Führung

27.8.26, 17:00h – 18:00h

Art tour with Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Klosterruine | Führung

16.7.26, 17:00h – 18:00h

Art Tour with Artist Nazainin Noori and Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Bärenzwinger | Exhibition

5.6.26 — 21.2.27

»Furore«

Grafik: Nora Keilig

The solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the Bärenzwinger: the principle of display and staging—whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.

Mitte Museum | Exhibition

22.5.26 — 27.9.26

umbennen? Exhibition project on the history of Berlin street names

umbennen? Exhibition project on the history of Berlin street names

As an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the “rename?!” exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes.

Galerie Wedding | Exhibition

22.5.26 — 9.8.26

»Die gesiezte Tochter. My Total Deconstruction of an Armenian Family«

Beatrice Moumdjian

An Exhibition by Beatrice Moumdjian.
Moumdjian’s artistic practice combines autobiographical research with a critical perspective on history and its modes of transmission. Her work reveals how closely personal life stories are intertwined with political and historical processes, and how these entanglements can be examined, shifted, and rearticulated through artistic means.

Klosterruine | Exhibition

14.5.26 — 25.4.27

BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME

BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME

is a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices—both aesthetic and performative—were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.

Magazine

Einer der ungewöhnlichen Kunstorte von Culterim: Ein ehemaliger Handyshop am Gesundbrunnen. Foto: Dennis Gegenfurtner

Ausstellen ohne Zugangsbeschränkungen

Culterim ist eine Agentur, die Immobilien an Künstler*innen vermietet und dabei betriebswirtschaftliches Denken mit Kunstförderung und einem sozialen Ansatz verknüpft. Zu ihrem Portfolio gehören Ausstellungsflä…

Anna-Lena Wenzel

Bernd Frank, Foto: privat

Gestaltung und Haltung. Ein Gespräch mit dem Grafiker Bernd Frank (1942-2026)

Bernd Frank (*1942 in Erfurt) zählte zu jenen Grafiker*innen, die das grafische Medium nicht nur als gestalterisches Werkzeug, sondern als eigenständige künstlerische Ausdrucksform begreifen. Über mehrere Jahrzehnte …

Im wahrsten Sinne

Aufstand der Einkaufswagen

Seit nunmehr zwei Jahren steht das Karstadtgebäude am Leopoldplatz leer – und die vom Bezirk gewünschte Zwischennutzung konnte bisher nicht realisiert werden. Ein Zusammenschluss von Initiativen will sich damit …

Anna-Lena Wenzel

Henrike Naumann in der Galerie Wedding

Kunst in historischer Verantwortung – eine Erinnerung an Henrike Naumann

Henrike Naumann (1984–2026) hat in nur wenigen Jahren ein Werk geschaffen, das die deutsche Gegenwartskunst nachhaltig verändert hat – ihr früher Tod am 14. Februar 2026 in Berlin hinterlässt eine schmerzhafte …

Ute Müller-Tischler

Aber wenn man so leben will wie ich, Bernd Sahling, DDR 1988
© Filmuniversität Babelsberg KONRAD WOLF

„Heute noch, morgen schon“ – Filme zur Wendezeit in der Nikolaikirche

35 Jahre nach der deutschen Wiedervereinigung nimmt die Filmausstellung „Heute noch, morgen schon“ im Museum Nikolaikirche die Umbrüche in Berlin um 1990 in den Blick. Der Neuanfang erscheint hier als Versprechen, …

Anna-Lena Wenzel

Maria Anwander, Ohne Titel (NOT ALL ART WILL GO DOWN IN HISTORY), 2012, Neon auf Stahl, 160 x 405 cm. Foto: Maria Anwander

Einfach nur arbeiten

28 Berliner Atelierhäuser, die teils schon seit den 90er-Jahren durch das Arbeitsraumprogramm des Landes gefördert werden, sind in ihrem Fortbestand akut gefährdet. Dabei steht weit mehr auf dem …

Newsletter

In our Kultur Mitte newsletter we inform you about the latest in the fields of art, culture, media and education.

Additionally you receive information on Open Calls, opportunities for funding, concerts, readings, film screenings, guided tours and our program for families and young people in our institutions.

About

The Department of Art, Culture and History is an important point of contact for key cultural projects and initiatives. The department advises on approval and application procedures for funding and art projects in public space, supports the public promotion of art and remembrance projects on both a regional and supra-regional scale, facilitates networking and transcultural exchange and has for years successfully coordinated cultural education work aimed at predominantly young people.

Events

Mitte Museum | Stadtrundgang, Walking tour

3.7.26
18:00h - 20:00h

Rebellious Women on Foot: A Literary Walk through Berlin-Mitte with Anneke Lubkowitz

Credits: Kein & Aber.

A Literary Walk through Berlin-Mitte with Anneke Lubkowitz

Klosterruine | Booklaunch, Reading, Talk

3.7.26
19:00h

Berlin Review: Launch Reader 7

Klosterruine Berlin. Credit: Robert Hamacher

Together with editors, authors, and friends, we celebrate the launch of the Berlin Review Reader #7 at Klosterruine Berlin on July 3 — featuring readings and conversations in German and English, drinks, music, and mingling. Admission is free and everyone is welcome. Freshly printed copies of the Reader, including new texts and an image series featuring paintings by Pol Taburet, will be available on site. A detailed program will follow soon.

Galerie Wedding | Vermittlung

5.7.26

SUNDAY ART MAKERS (SAM)

Credits: Erhan Muratoglu

Your New Creative Sunday in Berlin-Mitte’s Municipal Galleries

Galerie Wedding | Artist talk, Ausstellung, Rundgang

7.7.26
17:00h

Exhibition »Die gesiezte Tochter. My Total Deconstruction of an Armenian Family« – Dialogic Tour with Beatrice Moumdjian & Eylem Sengezer

Beatrice Moumdjian

Guided Tour of the Exhibition The Daughter Who Was Addressed Formally. My Total Deconstruction of an Armenian Family with artist Beatrice Moumdjian and Eylem Sengezer (Head Curator / Head of Contemporary Art).

Galerie Wedding | Talk

7.7.26
19:00h

Panel: »Archive des Überlebens. Kunst, Zeug*innenschaft und Erinnerungsarbeit nach Aghet«

Credits: Wataru Murakami

Starting from the Armenian Genocide in the Ottoman Empire, experts from the fields of art, activism, and academia discuss approaches to a transnational and solidaristic culture of remembrance.

Mit Jeanette Ehrmann, Elke Shoghig Hartmann, Beatrice Moumdjian, Eren Yetkin.
Moderation: Gabriela Seith

Galerie Wedding | Booklaunch

16.7.26
17:00h

Booklaunch – »IN NOBODY’S SERVICE«

Das Cover eines Buches mit pink-rotem Farbverlauf. Der Titel „In Nobody’s Service“ steht in großer weißer Schrift auf der Vorderseite. Darunter sind weitere Titelangaben in verschiedenen Sprachen sowie die Namen der Herausgeber*innen aufgeführt. Im Hintergrund ist eine stilisierte grafische Form zu sehen.

A multidisciplinary approach to history writing, labor, love, and care in contemporary artistic practice. Featuring a performance by Sisu Satrawaha & Natthapong Samakkaew.

Klosterruine | Führung

16.7.26
17:00h - 18:00h

Art Tour with Artist Nazainin Noori and Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Mitte Museum | Ausstellung, Museumsevent, Rundgang

16.7.26
18:00h - 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Mitte Museum | Stadtrundgang, Walking tour

17.7.26
18:00h - 20:00h

Guided Tour as Part of the Exhibition “umbenennen?!” – Around Berlin Central Station

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

When Berlin built its new Central Station, an entirely new district emerged around it—planned from scratch, including a network of newly named streets. But who decided which names would become part of Europacity?

Mitte Museum | Ausstellung, Museumsevent, Rundgang

18.8.26
18:00h - 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Mitte Museum | Talk, Vortrag

20.8.26
18:00h - 20:00h

Between Propaganda and Remembrance: Reinhold Huhn, Egon Schultz, and the Question of Justice

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

Between 1948 and 1989, eight East German border guards lost their lives while on duty. In the GDR, they were elevated to the status of heroes, with streets named after them and their deaths portrayed as deliberate acts of murder. Among them were Reinhold Huhn (1942–1962) and Egon Schultz (1943–1964).

Klosterruine | Führung

27.8.26
17:00h - 18:00h

Art tour with Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Klosterruine | Filmscreening

28.8.26
20:00h

Short Film Program: Die Welt sieht zurück

Bild: Standbild aus Memories of a Window – Mehraneh Salimian & Amin Pakparvar, 2026

Die Welt sieht zurück describes a shift: it is not only us who are looking — our gaze is also being returned. Images, witnessing, bodies, and forms of individual and collective expression create modes of perception in which the world responds and answers back. The gaze itself becomes unstable rather than remaining fixed. The program presents short films spanning experimental film, dance film, documentary, and artistic moving-image practices.

Klosterruine | Artist talk

29.8.26
17:00h

Artist Talk Nazanin Noori, Fabian Schöneich

Nazanin Noori, Opening, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Photo: Piotr Pietrus

The Berlin Monastery Ruins invite you to an artist talk with Nazanin Noori and Fabian Schöneich. In conversation, the artist and curator will offer insights into the site-specific installation BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME and discuss the intersections of art, space, history, and societal power structures.

Mitte Museum | Ausstellung, Exhibition, Opening

9.9.26
18:00h

Exhibition opening: Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff

Foto: Camille Compere

The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.

Mitte Museum | Ausstellung, Museumsevent, Rundgang

16.9.26
18:00h - 19:00h

Guided Tour of the Exhibition “umbenennen?!” with Curator Tabea Thielmann (german)

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

A street name is rarely neutral. It commemorates, honours, obscures—and sometimes does all of these things at once. In this guided tour, curator Tabea Thielmann takes visitors through the exhibition, uncovering the stories behind Berlin’s street signs, explaining how renamings come about, and exploring why some names remain unchanged.

Klosterruine | Führung

17.9.26
17:00h - 18:00h

Art tour with Alin Daghestani

Nazanin Noori, Eröffnung, BEHOLD GOD IN ALL THAT EXISTS IN HIS NAME, Klosterruine, 2026, Foto: Piotr Pietrus

Klosterruine Berlin invites visitors to a public tour of the historic monument every third Thursday of the month from May to September. Together with Alin Daghestani, Program Coordinator and Curatorial Assistant at Klosterruine, visitors will gain insights into the history of the former Franciscan monastery as well as the current site-specific artistic works presented on site. The tour is followed by an opportunity for conversation and exchange.

Mitte Museum | Stadtrundgang, Tour

20.9.26
13:00h - 15:00h

The Women’s Quarter Around Berlin Central Station – A Guided Tour with Trille Schünke-Bettinger

Die Polizei entfernt am 2. Oktober 1994 die vom Aktiven Museum angebrachte Zusatztafel zur Clara-Zetkin-Straße. Fotografie: J. Henschel.

To this day, far more streets are named after men than after women. When an entirely new district was planned around Berlin Central Station, a conscious effort was made to change that: many of the newly created streets were named after women.