»매난국죽 Mae Nan Guk Juk: Diasporic Memories Formed in Clay« – An exhibition by Frank Jimin Hopp
With Mae Nan Guk Juk: Diasporic Memories Formed in Clay, Korean-German artist Frank Jimin Hopp explores the memories of the first generation of South Korean labour migrants in Germany. Through interviews, video works and collaboratively created ceramic objects, the exhibition brings together stories of migration, care work, loss and new beginnings. It presents diasporic memory as a living archive, continuously shaped through storytelling, encounters and artistic practice. The title refers to the Four Gentlemen of East Asian art—plum blossom, orchid, chrysanthemum and bamboo—symbols of resilience, dignity and perseverance.
Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff
The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.
The solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the Bärenzwinger: the principle of display and staging—whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.
umbennen? Exhibition project on the history of Berlin street names
As an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the “rename?!” exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes.
is a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices—both aesthetic and performative—were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.
Die Klosterruine Berlin lädt jeden dritten Donnerstag im Monat von Mai bis September zu einer öffentlichen Führung durch das historische Baudenkmal ein. Gemeinsam mit Alin Daghestani, Programmkoordinatorin und kuratorischer Assistenz der Klosterruine, erhalten Besucher:innen Einblicke in die Geschichte des ehemaligen Franziskanerklosters sowie in die aktuellen ortsspezifischen künstlerischen Arbeiten vor Ort. Im Anschluss an die Führung besteht Raum für Austausch und Gespräch.
Sunday Art Makers – Ebb and Flow (Für Kinder von 7-15 Jahren)
KinderKulturMonat: Im Oktober erwartet Kinder und ihre Familien ein einzigartiges Programm zum Mitmachen und Ausprobieren. In allen Bezirken Berlins öffnen Museen, Kunst- und Musikschulen, Theater, Tanzschulen, Kinos und viele weitere Kulturorte ihre Türen, um gemeinsam zu malen, zu forschen, zu tanzen und zu musizieren.
Originally launched as an ambitious art project at the Stuttgart State Academy of Art and Design, Horizontaler Gentransfer quickly became a sensation: six female artists with migrant backgrounds bring together K-punk, spoken-word performance and art pop, using their sharp-witted lyrics to build bridges between cultures. Or, as they call it themselves: Empowerment Karaoke.
»매난국죽 Mae Nan Guk Juk: Diasporic Memories Formed in Clay« – An exhibition by Frank Jimin Hopp
With Mae Nan Guk Juk: Diasporic Memories Formed in Clay, Korean-German artist Frank Jimin Hopp explores the memories of the first generation of South Korean labour migrants in Germany. Through interviews, video works and collaboratively created ceramic objects, the exhibition brings together stories of migration, care work, loss and new beginnings. It presents diasporic memory as a living archive, continuously shaped through storytelling, encounters and artistic practice. The title refers to the Four Gentlemen of East Asian art—plum blossom, orchid, chrysanthemum and bamboo—symbols of resilience, dignity and perseverance.
Lang ist es nicht her. Und jetzt ist es soweit. – Susanne Kerckhoff
The exhibition at the Mitte Museum is dedicated to the writer and journalist Susanne Kerckhoff (1918–1950), one of the defining voices of Germany’s early post-war period. Between 1948 and 1949, Kerckhoff published a series of fictional portraits in the Berliner Zeitung that addressed pressing questions facing post-war society: guilt, denazification, antisemitism, and democracy. For the first time, the exhibition offers a comprehensive exploration of this body of work while asking what these texts can tell us about Germany today.
The solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the Bärenzwinger: the principle of display and staging—whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.
umbennen? Exhibition project on the history of Berlin street names
As an inner-city district that unites former East and West Berlin boroughs, Mitte looks back on a turbulent history that is also reflected in the large number of street renamings. The regional historical focus of the “rename?!” exhibition is therefore on continuities, ruptures, and the possibilities for participation in renaming processes.
is a site-specific installation by Nazanin Noori at the Klosterruine Berlin. It connects the historical space of the former religious building with questions of religious affiliation, power structures, public perception, and diverse conceptions of the divine. As a relic of a sacred site, the Klosterruine points to the political and social systems that have historically emerged from religious organisation. For centuries, the Berlin Franciscan monastery functioned as a space in which spiritual practices—both aesthetic and performative—were closely intertwined with urban order and political authority. At the same time, the ruin stands as a marker of repeated destruction and transformation.
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Additionally you receive information on Open Calls, opportunities for funding, concerts, readings, film screenings, guided tours and our program for families and young people in our institutions.
The Department of Art, Culture and History is an important point of contact for key cultural projects and initiatives. The department advises on approval and application procedures for funding and art projects in public space, supports the public promotion of art and remembrance projects on both a regional and supra-regional scale, facilitates networking and transcultural exchange and has for years successfully coordinated cultural education work aimed at predominantly young people.
Events
24.9.26 19:00h
Concert with “Horizontaler Gentransfer”
Originally launched as an ambitious art project at the Stuttgart State Academy of Art and Design, Horizontaler Gentransfer quickly became a sensation: six female artists with migrant backgrounds bring together K-punk, spoken-word performance and art pop, using their sharp-witted lyrics to build bridges between cultures. Or, as they call it themselves: Empowerment Karaoke.
Sunday Art Makers – Ebb and Flow (Für Kinder von 7-15 Jahren)
KinderKulturMonat: Im Oktober erwartet Kinder und ihre Familien ein einzigartiges Programm zum Mitmachen und Ausprobieren. In allen Bezirken Berlins öffnen Museen, Kunst- und Musikschulen, Theater, Tanzschulen, Kinos und viele weitere Kulturorte ihre Türen, um gemeinsam zu malen, zu forschen, zu tanzen und zu musizieren.